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In her programme note, director Molly Atkinson offers a succinct key to Samuel Beckett’s masterpiece: “There are two absolute certainties...

At its official Stratford Festival matinee opening, The Hobbit draws exactly the audience one might expect: families, children, and devoted...

Mouldy walls, graffiti tags, and electrical wiring. Tufts of grass sprouting through cracks in the concrete. There is even a...

A revival of an iconic musical has to do more than trade on affection. It has to make a case...

Does Guys and Dolls still work on a twenty-first-century stage, even if the title may strike some as slightly sexist?...

Kristen Da Silva’s Sugar Road opens with a premise tailor-made for the Thousand Islands theatre: at a fading fairground, Hannah...

Who reads a review of Dog Man: The Musical? That was the first question I found myself asking while writing this....

This jukebox musical stands out from others I’ve experienced thanks to its inventive staging. A Beautiful Noise presents two versions...

With the performance rights to Come from Away now available to numerous regional professional theatres across Canada, it is unlikely...

Toronto audiences will witness the tragic Romeo & Juliet turned upside down by a simple question: What if Juliet didn’t...